THUMOS: The 5 Secrets to Public Speaking May 31, 2013
by WashingtonsBlog
É Or Any Kind of Public Performance There are five secrets to giving a successful talk or presentation: (1) Energy (2) Harness your nerves (3) Fake It ÔTill You Make It (4) Future Pacing and (5) Preparation; Roger Ailes in ÒYou are the Message,Ó gives the following advice:
An Ounce of Energy is Worth a Pound of Technique : Energy is a vital component to an
effective resentation. If youÕre
reluctant or listless, you wonÕt do well, no matter how prepared you are or how
insightful your views. Roger Ailes
– Ronald ReaganÕs chief of communications and now the head of Fox News
– might be an extremist, but he wrote a whole book on this subject. The whole book can be
summed up in the statement: An
ounce of energy is worth a pound of technique. Look at Obama:
Even if you hate his policies, you have to admit that heÕs got a lot of energy.
Ailes gives the following advice: How do you get that kind of positive energy
[adrenalin!], especially when youÕre nervous about giving a speech, chairing a
meeting, or being interviewed for a job or by the news media, for example. Ask yourself: What am I thinking about?
Am I focused on positive things like ÒThis is an opportunity É.Let me review my
agenda: What are the points I want to make? This can be fun; IÕve been asked to
speak because they believe IÕm an authority and can contribute somethingÓ? These
kinds of thoughts will energize you
in a way that will help you be successful. If you like exercise, then you already know that vigorous
exercise will boost your energy and pump you up. Go exercise before your
talk. If you arenÕt the exercise type (or
even if you are), you may want to know that deep breathing and deep relaxation can effectively charge up your energy
levels. Moreover – as weÕll
discuss in the second secret – everyone has a free, abundant and
always-available source of energy available for our public appearances.
Harness Your Nerves The top professional musicians,
speakers, tv and radio personalities, and other well-known performers all say
that they still
get nervous before performances. Interviews of everyone from mega rock
stars to top trial lawyers prove that.
The trick is that top performers donÕt try to ÒfightÓ the nerves to stay
calm. Instead, they look at the nervousness as the ÒfuelÓ that super-charges
them to give a great performance. The adrenaline pump of nervousness primes us
to wake up, focus and treat our performance as important. This can give us
strength, endurance, quick thinking and passion. Through repeated experience,
top performers know first-hand that this nervousness is the raw ÒfuelÓ which
can power great performances.
Indeed, the top speakers, musicians, athletes and performers in every
field know that nervousness is a good thing, because nervous energy is the raw
fuel which powers their performance.
The top performers know how to channel that raw energy into a good
performance. Successful performers look at nervous energy as rocket fuel to
power an outstanding performance.
The trick is not to fight it. If you try to force your self not to be
nervous, you will get more nervous and will not perform well.
Instead of labeling that feeling as being ÒstressedÓ, ÒnervousÓ,
ÒpanickyÓ or Òfreaked outÓ, think of it as being ÒexcitedÓ, ÒenergizedÓ, ÒpassionateÓ,
ÒprimedÓ or ÒpumpedÓ. Nothing I
can write will convince you that stress is the fuel for a successful
performance. I have performed enough – in front of thousands of people,
and in high-stakes make-or-break situations – to know what IÕm talking about,
and performance experts say the same thing. But you have to verify this for
yourself. Practice speaking in front of groups of friends. Practice making a
presentation to a co-worker. Practice getting nervous and performing well
anyway. (And if your presentation is clumsy, go back and prepare more. See the
5th secret. Also ask your friends or co-workers what would make it better. Keep
practicing – the more you practice the better youÕll get.) Doing that
will prove to you that nervousness is simply part of the package, and that you
can perform even when youÕre nervous. Again, remember that youÕre in good
company: everyone gets nervous, including the worldÕs top performers.
Fake It ÔTill You Make It : [ Variation on quip: ÒIf you can fake sincerity you got it
made.Ó] The third secret is to do your best to imitate great speakers or
performers who you admire.
Specifically, what the top experts say (and IÕve found to be true
myself) is that Òfake it Õtill you make itÓ is the fastest way to improve your
public appearances. HereÕs an
analogy. If youÕre pretty good at basketball, then think back to when you first
started playing. You doubtless imitated Michael Jordan or Kobe Bryant or
another great player. If youÕve been playing a while, more of your moves will
be spontaneous now. But you imitated well-known players when you started out,
which propelled your skills forward.
Or if youÕre a pretty good artist, think back to when you first started
painting. You likely imitated well-known artists; and painting Òin their styleÓ
helped you develop your painting skills. Now – as a reasonably good
artist – you can improvise a little more, and create some of your own
style. But when you started out, you were just trying to parrot the greats. In
the same way, imitating master public speakers who you like will hone speaking
and interviewing skills, and boost your speaking abilities by leaps and
bounds. ÒFaking it Õtill you make
itÓ is not false or insincere. It is the exact same learning process you
employed when you started playing b-ball, or painting, or learning any other
skill. As you get more comfortable
in public speaking, you can find your own style, or combine the best
aspects of different public speakers you like. But for now, just imitate your
favorite personality to get up and running, and to develop your skills.
Future Pacing A related trick is to look at each
performance – not as the BIG, all-or-nothing, make-or-break performance
– but as practice for future performances. Even if youÕre (1) going to be interviewed on tv and
millions of viewers will see you, (2) going to sing on stage in front of
thousands, or (3) youÕre going to give a business pitch in front of a
conference room full of big cheeses É youÕre probably going to do something
similar again in the future. This
may seem like your one-time shot É but odds are it isnÕt. If youÕre doing it
now, youÕre probably going to do it again another time. Instead of focusing on
how youÕre doing NOW, shift your focus to thinking about it as practice for the
next interview. Specifically, the excellent things you do this time É youÕll
probably want to do the same thing next time also. The things you donÕt like
about your public performance this time É you probably wonÕt use next
time. Our minds are wired so that
we learn fastest when we ÒpracticeÓ or ÒplayÓ. This helps take us out of a
narrowed self-critical mindset to a more creative, expansive and relaxed
perspective É And we perform better with that perspective. In addition, our minds are programmed
to begin with an image in mind, and then to try our best to approximate that
image (like in the third secret). So by thinking about what you want your
future performance to be like, it makes your current performance better. (This technique also works magic with
dating. Instead of getting flustered when youÕre talking with THAT girl or THAT
guy, think of your conversation as practice for when you meet attractive people
in the future. It will go smoother, and youÕll learn how to be a better and
more eligible dater).
Prepare
ÒIt usually takes more than three weeks to prepare a good impromptu
speech.Ó
- Mark Twain ÒThe
very best impromptu speeches are the ones written well in advance.Ó
-
Actress Ruth Gordon (star of Harold and Maude (1971) - IMDb
)
[ This following
process describes your desired course skill level at the end. Be patient, we
have weeks to help get to this point.] Nothing can replace preparation.
Unless you are one of the lucky people who can improvise well, you
should outline your presentation, and then write out notes or use index cards
to map out exactly what you want to say. Then practice until you donÕt need the notes anymore. If you feel like you need some notes
with you during the presentation, just jot down key words to jog your memory.
If you try to read anything other than a couple of key words, you wonÕt be able
to pull it off.]